12 Jeppesen, "Problems," pp. "Kyrie" from … ... Palestrina experimented with different textures and “density” of voices in his Gloria from the Pope Marcellus Mass. Bassus. A. Click again to see term . Download Music-9 … Troubadours were Medieval poets and musicians. b. voices and brass instruments. His Mass was beautiful and expressive, but also modest and clear. Credo: Term. Into to music midterm exam 115ff. Vocal Music •became more popular because music … Palestrina's Gloria from the Pope Marcellus Mass belongs to the Proper, the variable part of the Mass celebration. Of the following, which best describes the texture of the Pope Marcellus Mass? MUS 211 EXAM #2 Flashcards Upward leaps are balanced at once by downward steps, as in the opening melody: The Kyrie of the Pope Marcellus Mass is written in three different sections: 1. It was sung at the Papal Coronation Masses (the last being the coronation of Paul VI in 1963). The expressive device used by Renaissance composer to pictorialize words musically is called? There was only one voice singing and I couldn’t hear anything else. palestrina music. Kyrie The Kyrie has a rich polyphonic texture. During the Renaissance, the Mass was recited and sung in the vernacular (the language of the people). The texture of the entire mass—all five movements—is six voice polyphony. Allegro poco moderato, Partita in A Minor for Solo Flute, BWV 103: 1. I attended the Student Recital Hour. Palestrina Gloria from Pope Marcellus Mass. His Mass was beautiful and expressive, but also modest and clear. For this concert I would sat I was in-between a casual listener and a referential listener. Simply so, what did Palestrina’s Pope Marcellus Mass do for polyphony?Although Palestrina’s mass makes much use of polyphony—setting several different musical layers against one another simultaneously—he shows a clear preference for “imitative” polyphony, in which the basic melodies and, thus, their … Published in 1567, the work is renowned for its intricate interplay of vocal lines and has been studied for centuries as a prime example of Renaissance polyphonic choral music. Kyrie, from Missa Papae Marcelli by Giovanni Palestrina Missa Papae Marcelli Polyphony was banned by the Council of Trent Palestrina's contrapuntal work was all too beautiful to ban from the Church savior of polyphony Texture Polyphonic Kyrie Eleison - Lord have Mercy - melisma The two main forms of sacred Renaissance music are the mass and the. What is the predominant texture of the ” Qui tollis” from the Gloria of the Pope Marcellus Mass. It uses more voices and alternates choirs; it is more homophonic. of and in " a to was is ) ( for as on by he with 's that at from his it an were are which this also be has or : had first one their its new after but who not they have – ; her she ' two been other when there all % during into school time may years more most only over city some world would where later up such used many can state about national out known university united … The purpose of Texture •Mostly polyphonic •choral pieces usually have 4-6 voice parts ... Pope Marcellus Mass: Gloria by Palestrina Norton Anthology CD 1/18-19 Listening Guide pg. Glory Be: Music for the Renaissance Mass. From what part of the mass does our excerpt of Pope Marcellus Mass come from? Do the examples you discuss have a familiar style or different and explain why? The Introit is the first movement of the Ordinary of the Mass. It … The harmony of the Palestrina’s Gloria from the Pope Marcellus Mass is best described as full and consonant. Texture is how different musical elements connect.The specific texture that I heard in Kyrie (monophonic) is Monophony because I didn’t hear any instrument accompanying the voice. Giovanni Palestrina, an Italian composer of the Renaissance, was born in February 3rd 1525/26 in Palestrina and died in February 2nd 1594 in Rome. Listen to Palestrina’s Pope Marcellus Mass, and Handel’s Messiah, “Rejoice Greatly”. Unlike Machaut's three-part Agnus Dei, the Kyrie is a two-part (binary) form. Homophony. Then identify and post responses to how the two pieces mentioned differ using the following metrics: rhythm, harmony, texture, medium, genre, stylistic era, composer, date, and title. There are 60 lyrics related to Pope Marcellus Mass Palestrina. What is the mode that was outlined by Heinrich Glareanus? B Is written in three different sections. You can here the different singers: Alto, Baritones, tenors and so on. pope marcellus mass was performed in _____ Term. Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina. A deeply religious individual who expressed his immense faith through his music. He composed Missa Papae Marcelli. The texture of this setting of the Mass Ordinary. Although this piece is polyphonic, it demonstrates the potential for achieving this with its simple, well-balanced counterpoint. Hereof, what is the form of Pope Marcellus Mass Kyrie? Vocal Music •became more popular because music … The most solemn ritual of the Catholic Church is the Mass, a daily service with two categories of prayers: the Ordinary (texts that remain the same for every Mass) and the Proper (texts that … 17. Palestrina's Pope Marcellus Mass remains a major pillar in music history, and is still widely regarded as one of the most beautiful pieces of music ever written this side of the pearly gates. which of the following are associated with growing secularization in 14th century france. Sometimes these masses were named for other things, such as Palestrina's famous Missa Papae Marcelli, the Mass of Pope Marcellus, and many times they were canonic masses, as in Josquin's Missa sine nomine. Which of the following best describes the texture of the Pope Marcellus Mass? Another good example of this is the "oom-pah-pah" of dances like the waltz. Lewis Lockwood), NCS, pp. The Pope Marcellus Mass is mainly syllabic- only one note per syllable. 11 Knud Jeppesen, "Problems of the Pope Marcellus Mass: Some Remarks on the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina" (trans. [dubious – discuss] Text underlay in mediaeval and Renaissance music attests that "Ký-ri-e-léi-son" (five syllables) was the most common setting until perhaps the mid-16th century. What is the appropriate tempo of this piece? Palestrina's Pope Marcellus Mass was believed to have done what? As a prolific composer of masses, motets and other sacred works, as well as madrigals, he was (unlike Lassus) basically conservative.. • The mass was first published in 1567 in Palestrina’s second collection of mass settings. Convinced the Council of Trent of keeping polyphonic works in church. Palestrina's Pope Marcellus Mass remains a major pillar in music history, and is still widely regarded as one of the most beautiful pieces of music ever written this side of the pearly gates. 115-116. 17. Palestrina's Pope Marcellus Mass was probably intended for a cappella performance. six-voice polyphony (T/F) The texts of the Mass that change for each service make up the Ordinary. Pope Marcellus Mass, Latin Missa Papae Marcelli, mass by Giovanni Pierluigi da Palestrina, the best known of his more than 100 masses. The outstanding composer-poet of the Ars Nova was. What are the 4 voices that make up the texture of the polyphonic mass as seen in the 15th Century? Texture is how different musical elements connect.The specific texture that I heard in Kyrie (monophonic) is Monophony because I didn’t hear any instrument accompanying the voice. Its texture is mixed mostly by homorhythmic and particular parts of polyphony. The legend recounts that Palestrina composed a Mass for Pope Marcellus that redeemed the art of music in the eyes of the church. In Kyrie from the Pope Marcellus Mass, the harmony is prominent. The Missa sine nomine, literally "Mass without a name", refers to a mass written on freely composed material. Published in 1567, this work is famous for the complex interactions of vocal music and has been studied for centuries as a prime example of Renaissance polyphonic choral music. The mass is the main part of service in the Roman Catholic Church. B. Pope Marcellus Mass C. Winterreise D. Messiah : 16. c. voices and stringed instruments. Which of the following was a leader in the Protestant Reformation. The texture of Renaissance music is chiefly. 12 Jeppesen, "Problems," pp. Which of the following best describes the texture of the Pope Marcellus Mass. Published in 1567, the work is renowned for its intricate interplay of vocal lines and has been studied for centuries as a prime example of Renaissance polyphonic choral music. Related artists: Carole pope, Ron pope, Cassadee pope. Pope Marcellus Mass, Latin Missa Papae Marcelli, mass by Giovanni Pierluigi da Palestrina, the best known of his more than 100 masses. Its texture is mixed mostly by homorhythmic and particular parts of polyphony. Allemande and 2. It was sung at the Papal Coronation Masses (the last being the coronation of Paul VI in 1963). The Mass was so effective and so admired that the Council then decided to allow for polyphony in liturgical music. The Mass was so effective and so admired that the Council then decided to allow for polyphony in liturgical music. It is his best-known mass, and is frequently taught in university courses on music. In Pope Marcellus Mass, the music texture used showed how multiple voices interacted in a composition. Lord, have mercy. 11. 106 (Machlis book) Secular Renaissance Music. it used more voices and alternates choirs; it is more homophonic. Definition. Source Bach Mass in B minor: Atlanta Symphony Orchestra, Robert Shaw, conductor on the Telarc label - #80233; or: Helmuth Rilling conducting on the Hanssler label - #92070. Palestrina’s Gloria from the Pope Marcellus Mass belongs to the Proper, the variable part of the Mass celebration. Its texture is mixed mostly by homorhythmic and particular parts of polyphony. That work, the Pope Marcellus Mass, remains a cornerstone of 16th-century sacred music. 1 for Flute and Piano: 3. Mass by Pope Marchers Massa, Latin Mass Papae Marchelli, Giovanni Pierluizida Palestrina, best known of his more than 100 Masses. the ____ mass started out monophonic, then homophonic, then polyphonic: Term. Click to see full answer. This is when I will finalize my paper outline as well. It is his best-known mass, and is frequently taught in university courses on music. Palestrina's Pope Marcellus Mass has SIX VOCAL PARTS, whereas Josquin's Ave Maria Motet has only 4. Gloria from Pope Marcellus Mass was composed by Palestrina as a sacred choral work performed purely in 6-part choirs including a soprano, an alto, two tenors, and a bass. The Pope Marcellus Mass a polyphonic masterpiece of Renaissance church music; it was such a big success in terms of vocal and harmonic clarity that his music became the model for generations of composers after him, well into the classical period. Check Pages 1 - 19 of Music-9-First-Grading-Module in the flip PDF version. Music-9-First-Grading-Module was published by john mhervi laylo on 2020-07-07. The legend recounts that Palestrina composed a Mass for Pope Marcellus that redeemed the art of music in the eyes of the church. word painting. Pope Marcellus Mass (1562-1563) • Most famous mass • Was thought to convince Council of Trent that polyphonic masses should be kept in Catholic worship; not true, but does reflect need of understanding text • Dedicated to Pope Marcellus II • Written for a capella choir • Six voice parts • Rich polyphonic texture, imitation 12. Pope Marcellus Mass, Latin Missa Papae Marcelli, mass by Giovanni Pierluigi da Palestrina, the best known of his more than 100 masses. What is the predominant texture of “Qui tollis” from the Gloria of the Pope Marcellus Mass? Home » Glory Be: Music for the Renaissance Mass. Published in 1567, this work is famous for the complex interactions of vocal music and has been studied for centuries as a prime example of Renaissance polyphonic choral music. Where was the madrigal first developed? Kyrie eleison. Arcadelt (1507 - 1568): Il bianco e dolce cigno [Example 5, Susato, Ronde] Accompaniments to the main melody had to be relatively simple so as not to confuse the dancers. Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina. Then, post your answers to … • The mass was written in memory of Pope Marcellus II, who reigned for only three weeks in 1555. The polyphonic technique found in Medieval Motets, in which the melodies change while the rhythms are repeated is called_____. Gloria from Pope Marcellus Mass was composed by Palestrina as a sacred choral work performed purely in 6-part choirs including a soprano, an alto, two tenors, and a bass. and 125ff. 47, Solo for Alto Saxophone and … the madrigal. Although Palestrina enjoyed patronage from Julius III, he was excluded from St. Peter’s by Paul IV, a counter-reformationist and key figure in the Roman Inquisition. Tap again to see term . o Listen: Machaut: Agnus Dei from the “Nostre Dame Mass” (polyphonic mass) o Listen: Estampie (secular instrumental) o Listen: Reis glorios (troubadour song) o Listen: Palestrina: Kyrie from “Pope Marcellus Mass” (imitative polyphonic mass) o Listen: Weelkes: As Vesta was …Descending (madrigal) o Listen: Sarabande (Dance) Compared to that of Cantata No.140 of Bach, its pure a cappella medium provides audience a deeper sense of holiness … 3. Palestrina wrote this mass most likely in 1562 to honor the late Pope Marcellus II, who reigned for 3 weeks during 1555. “Kyrie” from Missa Papae Marcelli – The … Pope Marcellus Mass, Latin Missa Papae Marcelli, mass by Giovanni Pierluigi da Palestrina, the best known of his more than 100 masses. Fair Phyllis Marches like those of John Philip Sousa al… This mass has an ordinary mass polyphonic texture (Palestrina, 2010). Mass was sung by men and/or boys because women were not allowed to sing in public services during the Renaissance. All of the above. Gloria From Pope Marcellus Mass Essay 550 Words | 3 Pages. Palestrina’s Pope Marcellus Mass was probably intended for a cappella performance. Listen to Palestrina’s Pope Marcellus Mass, and Handel’s Messiah, “Rejoice Greatly”. six-voice polyphony (T/F) The texts of the Mass that change for each service make up the Ordinary. Listen to Palestrina's Pope Marcellus Mass, Gloria and Handel's Messiah, “Rejoice greatly”. Match. Superius. … Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina. Another feature of texture in the choir was musical hierarchy where there was vocal variation in which some voices pitched out as more prominent than other voices as posited by Reybrouck (19). pope marcellus: Definition. Christ, have mercy. Kyrie eleison. Can you hear chords? Week Six: I will now have fully analyzed the Pope Marcellus Mass and will begin writing the analytical portion of my paper. … Pope Adrian I (c. 700–795), pope from 772 to 795; his pontificate was unequalled in length by that of any successor of Saint Peter until a thousand years later; Pope Agapetus I (?–536), of noble birth, he was an archdeacon at the time of his election (13 … Why is Pope Marcellus Mass considered a capella? How does the "Qui tollis" in Pope Marcellus differ from the "Qui tollis" in Pange lingua? It uses more voices and alternates choirs; it is more homophonic. Compare 2 of your listening assignments from this week’s “To Do List” for similarities and differences. “Sanctus” from Giovanni Pierluigi da Palestrina's Pope Marcellus Mass; from a 1954 recording by the Nederlands Kamerkoor conducted by Felix de Nobel. ... Kyrie from Palestrina's Pope Marcellus Mass. Its six voice parts constantly imitate each other, yet blend … Gloria from Pope Marcellus Mass was composed by Palestrina as a sacred choral work performed purely in 6-part choirs including a soprano, an alto, two tenors, and a bass. Listening guide p. 85, CD 1, track 59 -What is a Mass? He was a pupil of Mallapert and Firmin Lebel at St. Maria Maggiore, Rome, where he was a choirboy from at … What did palestrina's pope marcellus mass do for polyphony? 3. Missa Papae Marcelli / Composers. Pope Marcellus Mass. A. Largo B. Allegretto C. Presto D. Andante. False Name the composer who used American music of all kinds, regions, and ages, including Shaker tunes, square dances, jazz and orchestral pieces, and cowboy songs and ballets. Marcellus had a weak constitution and he succumbed to illness shortly after being named pope. Though this is likely apocryphal, Palestrina was held up to future generations as a composer who suceeded in respecting the integrity of the sacred texts. a capella: Definition. binary form AB: Definition. What is the predominant texture of the “Qui tollis” from the Gloria of the Pope Marcellus Mass?. How does the “Qui tollis” from Pope Marcellus differ from the “Qui tollis” in the Pange lingua Mass? and 125ff. b. Thomas Weelkes Madrigal: "As Vesta Was from Latmos Hill Descending Descending" c. Leonin: Organum on "Benedicamus Domino" d. William Byrd: Monsiers Almain. How does the “Qui tollis” in Pope Marcellus differe from the “Qui tollis” in Pange lingua. Homophony. the _____ mass retained intelligibility of sacred text and even had a _____ texture: Term. Which of the following was the most important secular genre of the sixteenth century? Similarly, when was Misa Papae Marchelli […] The most momentous tale of all credits Giovanni Pierluigi da Palestrina's Missa Papae Marcelli ("Pope Marcellus Mass") with nothing less than single-handedly rescuing the future course of the art of Western music from a ban by the all-powerful Catholic Church. Find more similar flip PDFs like Music-9-First-Grading-Module. Which of the following best describes the texture of the Pope Marcellus Mass? 9. C. Contains upward leaps in the melody that are balanced by downward steps or. Similarly, when was Misa Papae Marchelli […] Kyrie (monophonic, is monophonic, it has one voice and no accompaniment. You may remember that Palestrina was THE musical voice of the Counter-Reformation. His most famous mass, "Missa Papae Marcelli" (Pope Marcellus Mass), may have been composed to satisfy the council's requirements for musical cogency and textual intelligibility. He was always in tune with the Counter-Reformationspirit. Palestrina's masses(105) contain some of his finest music. The "Kyrie" from Palestrina's "Pope Marcellus" Mass: A. 16. Gloria From Pope Marcellus Mass Essay 550 Words | 3 Pages. ... Palestrina's Pope Marcellus Mass sounds fuller than Josquin's Ave Maria because. answer. What best describes the texture of the Pope Marcellus Mass? Week Five: I will continue analyzing the Pope Marcellus Mass. Pope Marcellus Mass, Latin Missa Papae Marcelli, mass by Giovanni Pierluigi da Palestrina, the best known of his more than 100 masses. custom. FALSE B. I will also make the first draft of the section of my paper on the historical aspects of modal theory. d. voices alone. Published in 1567, the work is renowned for its intricate interplay of vocal lines and has been studied for centuries as a prime example of Renaissance polyphonic choral music. the ____ mass started out monophonic, then homophonic, then polyphonic: Term. The Pope Marcellus Mass was written for six voice parts. There was only one voice singing and I couldn’t hear anything else. Of the following, which describes the intended performance practice for the Pope Marcellus Mass. True. Posted on Sept. 16, 2014 Chapter 15, The Enjoyment of Music Key Points. How does the “Qui tollis” from Pope Marcellus differ from the “Qui tollis” in the Pange lingua Mass? Published in 1567, the work is renowned for its intricate interplay of vocal lines and has been studied for centuries as a prime example of Renaissance polyphonic choral music. Which of the following best describes the Crusades. In Western music, homophony may have originated in dance music, in which a simple and direct rhythmic style was needed for the prescribed bodily movements of individual dances, as in this sixteenth-century example by Tilman Susato. Palestrina's "Pope Marcellus" Mass sounds fuller than Josquin's "Ave Maria" because: it is set for six voices instead of four. What is the predominant texture of the "Qui tollis" from the Gloria of the Pope Marcellus Mass? Listen: Alleluia: Pascha nostrum (monophonic chant) o Listen: … Pope Marcellus Mass . 115ff. Choose one of the browsed Pope Marcellus Mass Palestrina lyrics, get the lyrics and watch the video. There is no instrumental accompaniment. Altus. Pope Marcellus Mass of Palestrina: The Best of the Renaissance—The Tallis Scholars Uni/Philips - #462862 Pope Marcellus Mass/Mass Aet—Oxford Camerata Naxos - #550573. Early (1600-40) - Composers favored homophonic texture over polyphonic texture. The Palestrina "sounds fuller" because it is.... by 2 whole voice parts. It would have been sung by an all-male choir with boy sopranos or male falcettos. Christe eleison. 115-116. Mass by Pope Marchers Massa, Latin Mass Papae Marchelli, Giovanni Pierluizida Palestrina, best known of his more than 100 Masses. the madrigal It is his best-known mass, and is frequently taught in university courses on music . 13. Published in 1567, the work is renowned for its intricate interplay of … pope marcellus: Definition. While in Kyrie from the Pope Marcellus Mass, I heard more than one voice in Harmony. Palestrina wrote this mass most likely in 1562 to honor the late Pope Marcellus II, who reigned for 3 weeks during 1555. Gravity. Although Palestrina enjoyed patronage from Julius III, he was excluded from St. Peter’s by Paul IV, a counter-reformationist and key figure in the Roman Inquisition. Corrente, Gypsy Rondo from Piano Trio in G Major, HobXV: 25, Kol Nidrei, Op. From Wikipedia, the free encyclopedia Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina. It is his best-known mass, and is frequently taught in university courses on music. It was sung at the Papal Coronation Masses (the last being the coronation of Paul VI in 1963). work by Palestrina. Some parts are neumatic (a few notes per syllable), but melismas (lots of notes per syllable) tend to be reserved for towards the end in the closing "Amen," which also has quite a lot of polyphony and embellishment (after all, everyone already knows what the words are there). They flow smoothly and can be sung easily. a capella: Definition. the _____ mass retained intelligibility of sacred text and even had a _____ texture: Term. Of the following which best describes the texture of the pope Marcellus mass. Texture of Renaissance music is primarily homophonic. Palestrina's Pope Marcellus Massowes much of its historical renown to a persistent myth that it rescued music from a ban by the Church. pope marcellus mass was performed in _____ Term. The Renaissance motet is a. 10. What did Palestrina’s Pope Marcellus Mass do for polyphony? Though this is likely apocryphal, Palestrina was held up to future generations as a composer who suceeded in respecting the integrity of the sacred texts. What’s happening in rhythm and melody -4 types of compositions: Mass, motet, madrigal, instrumental music-differences between sacred and secular music-types of instruments used during the Renaissance **** Palestrina, Kyrie from Pope Marcellus Mass. As a prolific composer of masses, motets and other sacred works, as well as madrigals, he was (unlike Lassus) basically conservative.. The Music and Style of Palestrina Background Palestrina ranks with Lassus and Byrd as one of the greatest Renaissance masters. Palestrina (1525 - 1594): Pope Marcellus Mass, Gloria Renaissance Gloria from a Mass ordinary (1567) demonstrating refined polyphonic/homophic textures with clearly defined phrases. It was sung at the Papal Coronation Masses (the last being the coronation of Paul VI in 1963). 2. Middle (1640-90) - The … Type of texture. TRUE Question #10. In fact, it has a more spacious, and open texture then the works of his predecessors. false During the Renaissance, the Mass was recited and sung in the vernacular (the language of the people). Polyphonic. Palestrina’s Gloria from the Pope Marcellus Mass belongs to the Proper, the variable part of the Mass celebration. binary form AB: Definition. Tenor. homophony. As a child he moved Rome. The 1400’s witnessed a decreased focus on secular music. Tap card to see definition . It uses more voices and alternates choirs; it is more homophonic. Definition. Topics: Pope Marcellus II, Giovanni Pierluigi da Palestrina, Polyphony Pages: 3 (558 words) Published: April 22, 2014. Has rich polyphonic texture based on imitation. It's scored for six voices in a rich polyphonic texture filled with imitation, i.e., echoing of melodic motives. 1. it was used to perform songs in homophonic texture 2. it was popular in renaissance homes 3. it was used to accompany solo songs 4. it was shaped like half a pear. They each also have different textures, it’s the way the musical parts fit together. (Pope Marcellus Mass) By Giovanni Pierluigi da Palestrina (Italy) Renaissance (1562) LESSON INTRODUCTION Important Terms and Concepts • Timbre: the “color” or quality of sound • SacredMusic: music that was intended for use in a religious setting • Texture: the way in which the melodies, harmonies, and rhythms of a Browse for Pope Marcellus Mass Palestrina song lyrics by entered search phrase. 35. b. answer. question. Published in 1567, the Mass was dedicated to Pope Marcellus II (1501-1555), who reigned only three weeks in 1555. What is the predominant texture of “Qui tollis” from the Gloria of the Pope Marcellus Mass? The pieces performed were Sonata No. homophony. Click card to see definition . 11 Knud Jeppesen, "Problems of the Pope Marcellus Mass: Some Remarks on the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina" (trans. Much of the instrumental dance music composed during the Renaissance was intended for church use. six voice polyphony. With the Pope Marcellus Mass, Palestrina satisfied the new requirements of the Catholic Church without abandoning his musical values. In keeping with ideals of the Council of Trent, clarity of text was extremely important in Palestrina's work. Palestrina wrote this work of mass genre in honor of Pope Marcellus who reigned only for three weeks following his death and succeeded by Pope Paul IV in the same year 1555 (Martin & Mihalka, 2020). After you have completed your reading assignment, discuss musical texture, harmony, and melody. Of the following which best describes the texture of the pope Marcellus mass. ... Pope Marcellus Mass. Can some help me with this. a. monophony c. non-imitative polyphony Texture •Mostly polyphonic •choral pieces usually have 4-6 voice parts ... Pope Marcellus Mass: Gloria by Palestrina Norton Anthology CD 1/18-19 Listening Guide pg. The performing forces in Pope Marcellus consist of: . a. voices and organ. Term. Lord, have mercy. Respecting the edicts from the Counter-Reformation, Palestrina composed a six-part polyphonic Mass called the Pope Marcellus Mass, to prove that counterpoint IS compatible with the criteria for acceptable church music. The Missa Papae Marcelli, the Pope Marcellus Mass, is written for six-voice choir. Although Palestrina enjoyed patronage from Julius III, he was excluded from St. Peter's by Paul IV, a counter-reformationist and key figure in the Roman Inquisition. It has a monophonic texture. The Pope Marcellus Mass was written for six voices (two basses, two tenor, an alto, and a soprano), yet you never feel overwhelmed by the movement of voices against each other. Motet. Why is the Kyrie an example for polyphonic texture? Palestrina wrote this mass most likely in 1562 to honor the late Pope Marcellus II, who reigned for 3 weeks during 1555. Number: 4.3 Track 1/79-81 pg 104 Title: Kyrie from Pope Marcellus Mass Composer: Palestrina Genre: mass Characteristics Texture: polyphonic Text: Latin Voicing/Instrumentation: 6 voices acapella SATTBB What I heard: Number: 4.4 Norton CDs 1/18-19, MA website, or YouTube Title: Gloria from Pope Marcellus Mass Composer: Palestrina Genre: mass Characteristics false (T/F) The Introit is the first movement of the Ordinary of the Mass. 34. Italy. Number: 4.3 Track 1/79-81 pg 104 Title: Kyrie from Pope Marcellus Mass Composer: Palestrina Genre: mass Characteristics Texture: polyphonic Text: Latin Voicing/Instrumentation: 6 voices acapella SATTBB What I heard: Number: 4.4 Norton CDs 1/18-19, MA website, or YouTube Title: Gloria from Pope Marcellus Mass Composer: Palestrina Genre: mass Characteristics false Definition. UNK the , . 106 (Machlis book) Secular Renaissance Music. Lewis Lockwood), NCS, pp. Palestrina's best known work, the Pope Marcellus Mass, was written during 1562 and 1563 and dedicated to Pope Marcellus II. Legend says that the Council of Trent (1545-1563), the Catholic Church’s main counter-reformation effort, was poised to ban polyphonic music entirely until Palestrina composed a beautiful choral mass that showed an acceptable way forward. The Missa Papae Marcelli (Pope Marcellus Mass), composed in the late 1550s or early 1560s in memory of the short-reigned Pope Marcellus II, is considered the most famous of Giovanni Pierluigi da Palestrina’s more than one hundred Mass settings.The Mass’s popularity has endured, in part due to its perfect balance of form and feeling (a hallmark of the composer) … Reference from: www.sunna-design.fr,Reference from: dulcerialamargarita.com,Reference from: zeansood.com,Reference from: copades.hn,
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